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Jazz cats

Playlist curated by soundslice ∙ 204 slices and 86 musicians
Transcriptions of classic recordings and improvisational concepts.

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From the album "Thomas Jaspar Quintet" (1961), with Bobby Jaspar on tenor sax. More…

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Herbie Hancock's piano solo on Wayne Shorter's "Witch Hunt" from his 1966 record "Speak No Evil" More…

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A combo arrangement of a Johnny Hodges version of All of Me. This was THE recording that made me go out, find a saxophone and start practicing. I still think Johnny Hodges had the greatest Alto tone… More…
Lars · Oct. 10, 2019

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Martin Mull Show More…

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Hi, I share the Piano reduction of an arrangement for my Orchestra. The song is called Unsung Heroes and was written for my third solo album. I hope you like it and if anyone is interested, I will gladly… More…
fgreene · Oct. 9, 2019

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Kenny Barron solo on Billie’s Bounce More…

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From the album "Boss Guitar" (1963) More…

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A Transcription of a Sax Solo from Fletcher Henderson's recording of Wrappin it Up' More…

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This etude is a one chorus solo over the chord progression of the Jazz standard "Stablemates".… More…

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From the album "Stella by starlight" (1964) More…

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Uno de los mejores Solos de Bajo Eléctrico escritos. Rico armónica y melódicamente y lleno de frases dignas de estudiar e incorporar. Practicar muy lento al principio.… More…

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Simple but effective stuff from The Count! This comes from the tune “Bluebeard Blues,” from the radio broadcast of Jazz Club USA episode 16 on April 15, 1951.… More…

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This is certainly the most common type of Modal Interchange chords, and it’s characterized by it’s romantic, lyrical and almost melancholic sound. The Sub-Dominant minor chords are basically borrowed from… More…

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During solos: G7#9 instead of the turnaround.… More…

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This is either Billy Strayhorn or Duke Ellington — I don’t know their styles well enough to be able to distinguish. It comes from a “C Jam Blues” piano duet they did, which was broadcast on the radio program… More…

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Lee Konitz's part on the first track off of "Motion" More…

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J'ai fait le relevé de l'exposition du thème par Toots afin de voir quelles différences il y a avec la partition du Real Book UN.… More…

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From "The amazing Bud Powell" More…

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Dick Oatts demonstrating how to expand upon the dominant 7th sound in a I V7 V7 I progression, typical of a calypso vibe. … More…

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So good! Here I’ve attempted to do a guitar reduction of this fantastic shout chorus by the Modern Art Orchestra. It comes from the album “Tribute To Stephane And Django” by Roby Lakatos and Bireli Lagrene… More…