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Here’s a small but nice lick from Gwen Cahue. It’s over “Blues en mineur” (G minor blues) from his new album “Memories of Paris.” More…

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The A flat note when the chord changes to G7... So so good. More…

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Great playing from the “Coast to Coast” album, recorded in April 1980. More…

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Here’s a nice little meandering thing by Barney Kessel from a live performance with The Great Guitars in 1982. More…

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From Samois 2010. This was played over the B section of “Dinette.” More…

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I love this simple but melodic idea from Joost Zoeteman — first over the C minor, then over the G minor. Sounds dissonant, but he’s just playing the flat third and natural sixth over both chords. More…

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I love George Barnes’ sound — swinging, treble-heavy and unapologetically happy and humorful. This particular lick comes from “The Opener” on his 1973 album “Swing, Guitar!” More…

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A straightforward but nice 1-6-2-5 intro from the tune “A Fine Romance,” from the 1961 album “Weaver of Dreams.” More…

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I love this solo guitar piece by Costa Lukacs and even covered it for YouTube several years ago. Here’s my transcription of his performance. More…

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Super-fast and “outside” intro here from Jonathan. I could definitely see using this in a gypsy-jazz setting. More…

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Are your fingers properly stretched? They’d better be, if you want to play these beautiful, lush chord voicings from Johnny Smith. This comes from his classic Moonlight In Vermont album with Stan Getz.… More…

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This little motif by Boulou brings a huge smile to my face. It’s just so dissonant-but-beautiful in that Django way. From now on, I shall always play this during that moment of Nuages. :-) More…

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This is one of those licks that’s purely guitaristic. No real music theory behind it, as far as I can tell — just a repeated pattern down the strings.… More…

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Django recorded this one many times, and he always played so nicely on it. Here I’ve transcribed the entire solo. More…

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A couple of nice substitutions in this one. From the 1969 Jack McDuff LP “Steppin’ Out.” More…

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A very nice intro here from Adrien’s 2007 recordings with the singer Lemmy Constantine. The album is “Meeting Sinatra & Django.” I left in the first few words of Lemmy’s (highly questionable) singing for… More…

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This tasteful guitar interlude comes from Jo Stafford’s 1945 recording with Paul Weston And His Orchestra. I needed to do some Internet sleuthing to confirm who the guitarist was...the great George Van… More…

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Awesome way to end a song here, from Johnny Smith! Super dissonant, then super straightforward/melodic. This is the ending for “It Could Happen To You” from Johnny’s 1955 album “Plays Jimmy Van Heusen.” More…

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A nice rhythm idea that I hadn’t come across, plus some quick licks. From Adrien’s DjangoFest Northwest workshop last week. Thanks to Paul Sommer for posting this video to YouTube! More…

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Here’s a soul-jazz solo I discovered by a guitarist who’s unfortunately uncredited on the recording. It’s from the 1967 album “Honky Tonk Organ” by Bill Doggett. It might be Billy Butler, but that’s just… More…

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Big news for Django fans: a new live recording was unearthed and shared online. It’s Django playing with the ATC Band on Dec. 16, 1945. Here’s the full transcription of all six choruses by Django over… More…

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Simple but effective stuff from The Count! This comes from the tune “Bluebeard Blues,” from the radio broadcast of Jazz Club USA episode 16 on April 15, 1951.… More…

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I just discovered this great fingerstyle tune from Chet Atkins’ 1968 album Solo Flights and written by Jerry Reed. Such a tasty, bluesy melody! More…

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Nice jazzy voicings here over a 2-5-1 in G major. More…

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I’ve been playing around with making exercises based on a simple scale, where I take a chord voicing I like and increment each of its notes by a scale step. It can reveal some beautiful new voicings! Here’s… More…

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Man, this intro. I’ve never come across most of these voicings before. From the 1958 Julie London album “Julie Is Her Name, Vol. 2.” More…

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Adrien and Benoit! This transcription was done by Denis Chang; I merely added the rhythmic values and Soundsliced it. More…

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Nice and exotic sounding outro here, despite only using two chord voicings. More…

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I made this one up to practice lots of consecutive downstrokes. The time feel of it is really odd, despite it being in 4/4! More…