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@cowirrie · Violin, Viola · Tasmania, Australia
Classically trained on violin and viola, can play fiddle on a good day. Tunes are as played at local sessions in Northern Tasmania at the time of recording. For sets containing these pieces, see www.cowirrie.com/music.

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This is an intentionally plain version of the tune. See this cover for a version with possible ornaments:… More…

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This is an arrangement for three violins. See the original slice for just the melody:… More…

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Here are a few possible ornaments for "The Rakish Highlandman," as played on fiddle. To see and hear a plain version of this tune, see the original slice:… More…

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This is an intentionally plain version of the tune. See this cover for a version with possible ornaments:… More…

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Here are some possible ornaments for "Drumdelgie", as played on fiddle. To see and hear a plain version of this tune, see the original slice:… More…

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This is an intentionally plain version of the tune. See this cover for a version with possible ornaments:… More…

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Here are some possible ornaments for "The Muckin' o' Geordie's Byre", as played on fiddle. To see and hear plain version of this tune, see the original slice:… More…

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This is an intentionally plain version of the tune. See this cover for a version with possible ornaments:… More…

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This air has diverged quite a bit from the trio arrangement published by James Scott Skinner in his book "The Harp and Claymore". The manuscript for that arrangement may by found in the University of Aberdeen… More…

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This piece has recordings at multiple speeds. Select one by clicking on the headphones under "4 Recordings," or on the gear if no headphone button is visible. then click on the play arrow.… More…

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This jig has plain and ornamented recordings. Select one by clicking on the headphones under "2 Recordings," or on the gear if no headphone button is visible. then click on the play arrow.… More…

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This piece has recordings at multiple speeds. Select one by clicking on the headphones under "5 Recordings," or on the gear if no headphone button is visible. then click on the play arrow.… More…

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This piece has recordings at multiple speeds. Select one by clicking on the headphones under "4 Recordings" below, or on the gear if no headphone button is visible. then click on the play arrow.… More…

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This piece has recordings at multiple speeds. Select one by clicking on the headphones below, or on the gear if no headphone button is visible. Then click on the play arrow.… More…

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Scottish composer William Marshall wrote many great strathspeys, but this may be his finest work. It is fitting that it is named for the river Spey that the strathspey style is also named for.… More…

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This piece has recordings at multiple speeds. Select one by clicking on the headphones under "4 Recordings" below, or on the gear if no headphone button is visible. Then click on the play arrow.… More…

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This piece has recordings at multiple speeds. Select one by clicking on the headphones under "4 Recordings" below, or on the gear if no headphone button is visible. Then click on the play arrow.… More…

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The Traditional Tune Archive has additional information about this piece:… More…

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CAUTION: This is not a good piece to play at folk sessions, unless your session routinely plays pieces in B major.… More…

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There are some confusing accidentals due to the mode of this piece. In some places you play G natural, in other places you play G sharp.… More…

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This strathpsey has recordings at multiple speeds. Select one by clicking on the headphones under "3 Recordings" below, or on the gear if no headphone button is visible. then click on the play arrow.… More…

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This piece has recordings at multiple speeds. Select one by clicking on the headphones under "5 Recordings" below, or on the gear if no headphone button is visible. Then click on the play arrow.… More…