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Improv concepts

Playlist curated by soundslice ∙ 87 slices and 38 musicians
Lessons about the construction of musical ideas.

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SUPPORT ME & DOWNLOAD ALL MY 850+ Backing Tracks ▶ https://bit.ly/Patreon_GI… More…

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Rough and ready transcription - more to understand how to apply the major and minor pentatonics over an A chord. More…

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Dominate the different minor modes can give us a lot of different and colour textures in our melodies and impros. Just changing one note, as in this case, we mix between two of the most common minor modes,… More…

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What a monster lick! More…

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Hello sax players! Today I want to share with you how a minor pentatonic sounds on a major 7 chord. In this case I’m playin’ a minor pentatonic starting by third degree of the Major 7 root. I’m not using… More…

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Playing through 2 changes utilising the Melodic minor scale More…

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A mini lesson from Peter Sprague on the first 4 bars of Rhythm Changes More…

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Applying pentatonics… More…

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A really sophisticated way to get from the I to the IV in a blues. More…

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Here's some arpeggio/sweep picking etude I came up with using Messiaen Mode 3 Inverse (from G) as a starting point. This scale splits the octave in major thirds - the "arpeggio" uses all the notes within… More…

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Altered Lick over A7alt leading into Dm. I transcribed this to get some ideas on melodic/tasteful ways to use the altered scale. More…

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Here are some classical ideas, which i use in my improvisations. Feel free to learn them. And remember, they can be used anywhere. … More…

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Jonathan Kreisberg Triplets ..coltrane changes SUB More…

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This is an idea that you can use over the transition between Ab7 to A7 such as in Chick Corea's song Windows. More…

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This Riff or "lick" will work over the two chords!… More…

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Dick Oatts demonstrating how to expand upon the dominant 7th sound in a I V7 V7 I progression, typical of a calypso vibe. … More…

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In this example I have tried to use open triads in Bars 2 and 3. Baiscally a Do triad over G7b9, then a regular Cm open triad in root position and a Co triad over F7b9.… More…

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"The best free country guitar lesson ever made!" - Ford Thurston (rhythm guitar) More…

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Here’s a sample from my “Demolition” course where I break down some of the riffs on “Palisades.” I talk arpeggios and gypsy guitar influences.… More…

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In this line I'm applying the concept of superimpositions, connecting the scales of A Phrygian, A Mixolydian, A Lydian and A Aeolian. This is one of the 8 examples of superimposition on my E-book called… More…

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One of the lines of my E-book "Modal Superimpositions" More…

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Had to write out this quick idea from Daniel on blending diminished arpeggios and getting right back into a pentatonic shape. Seems useful! More…