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Here's the melody of Nuages (Django Reinhardt). Wikipedia link → https://en.wikipedia.org/wiki/Nuages… More…

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A real burner from Biréli's "Gipsy Trio" album More…

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Here's the melody of Si Tu Savais (André Salvet/Georges Ulmer/Marcel Antoni).… More…

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Here's the melody of Coquette (Johnny Green/Carmen Lombardo). Wikipedia link https://en.wikipedia.org/wiki/Coquette_(song)… More…

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Here's the melody of Danse Norvégienne (composed by Edvard Grieg under the name "Danse Norvégienne n.2") as played by Hubert Rostaing in Django Reinhardt 1940 recording. Wikipedia link https://en.wikipedia.org/wiki/Symphonic_Dances_(Grieg)… More…

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Here's the melody of The Chicken (composed by Pee Wee Ellis). Wikipedia link https://en.wikipedia.org/wiki/The_Chicken_(music)… More…

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Introducción del tema de Django Reinhardt "Blues Clair", de la versión del concierto de Viena. More…

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Bireli’s intro on ‘Belleville’ He outlines a turnaround of Gbmin7, Fmin7, Emin7, A7, Dmaj. ( III, bIII, II, V, I ) More…

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This is a prime example of what makes Biréli such a singular player in the world of gypsy jazz. … More…

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Some Groovy Gypsy jazz lines by the master, enjoy it and happy learning! More…

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Example 2 shows a lick which is somewhat hypnotic in nature due to the repetition of the same phrase. This is a good idea after you've built some tension throughout the solo and you are wanting to approach… More…

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Example 3 highlights the very classic major chord to minor chord transition which happens at the very beginning of the structure. 2 beats of Bb major to 2 beats of Bb minor, here's one way to play it More…

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Example 3 is a chop building, blasting shred phrase in G major! But even if played slowly you can hear how beautiful and melodic the line really is and how it resolves so nicely with those approach tones More…

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Example 2 happens over a classic ii-v-i (but with ascending bass motion from A to B to C and then D) which is what happens at the end of this iconic Stevie Wonder tune, which accompanies the uber famous… More…

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This example shows how classically influenced phrasing can apply to jazz. The contrary motion implies the G major chord the line resolves to, definitely an idea to steal and develop in one's own personal… More…

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The phrase in example 1 covers the last 8 bars of the B section of the standard 'I'll See You In My Dreams' (from A-7b5, D7). As always, I suggest learning it by heart so you can actually use it and/or… More…