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The second voice (guitar) and the outro were added (without the accordion). More…
Head of this very challenging tune, can't play it right and i may have some notes a bit off but overall i think it works nicely More…
Here is a transcription to the Ignacio Pinero classic "Echale Salsita" as played by Ry Cooder and Manuel Galban from their amazing Mambo Sinuendo record. I've distilled it down to a single guitar part… More…
"Mambo Sinuendo" by Ry Cooder and Manuel Galban is one of the greatest guitar records ever made, end of subject, no room for discussion. Here I have transcribed "Bodas De Oro" from that album reduced down… More…
Transcription of the Perez Prado favorite "Patricia" from Ry Cooder and Manuel Galban's "Mambo Sinuendo" record. Reduced down to a single guitar part with some liberties taken on a few voicings, harmonized… More…
Shemaiah Turner laying it down with PJ Morton at Reverb.com in Chicago! More…
From Bailemos con la Riverside (album) by Orquesta RIverside (1946-1959). More…
Pianist Larry Harlow quotes the coro (chorus) of the song at the end of his solo, followed by a descending glissando, to signal to the band that he's ready to continue to the mambo section of the arrangement. More…
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"Easy Listening" isn't an available genre, so I chose "Orchestral" instead. More…
From the album, Se Rompieron Los Termómetros. Eurotropical, 2002. Manolito transitions from his piano solo to the mambo section with a chromatic walk-up in the last two beats of the last measure of his… More…
From the album, Fuerza Gigante/Giant Force (Fania, 1980). As Oscar Hernández finishes his solo and heads toward the mambo section, he plays a very clear montuno in the last two measures of his solo. More…
Sample Mambo is an optional piece for the Classical Guitar Corner Academy Grade 2 exam. More…
A Latin American-inspired track, with a 2:3 clave and cascara. More…
A Latin American-inspired track, with a 2:3 clave and cascara. More…
Latin jazz quartet piece I put together. More…
A lick and voicing that I wanted to transcribe More…
In Louisiana, hearing “roll-along” piano is as common as eating a po’ boy. With Hopscotch, I tried to capture a little of the on-beat roll-along combined with occasional off-sounding chromatics that act… More…
