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@Salbert · MIDI Guitar · San Fransisco, CA
Older musician on a journey of musical rediscovery via MIDI guitar. • Personal Website: https://salsoghoian.com • Wikipedia: https://en.wikipedia.org/wiki/Sal_Soghoian • [THERE AMORE THAN 25 ITEMS. LOOK FOR “Next -->” LINK AT BOTTOM RIGHT]

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Greetings! For this project, something different. Instead of split-instrument guitar, the Jamstik is set to sound vibraphone on all six strings. And instead of playing into MainStage, I’m playing directly… More…

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Building upon what I learned with the bass-melody version of “Nice Work if You Can Get It,” this wonderful Rogers and Hart song is my first pass at full-harmonic live MIDI: combining bass, chords, and… More…

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This project was challenging! My Jamstik MIDI guitar was set to split instruments (bass on 6, 5 and vibes on 4, 3, 2 ,1) while I played a quarter-note bass line with eight-note melodies at 100BPM. Whew!… More…

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I have often said “Playing with Blue Indigo was like holding onto the tailpipe of a Chevy while being dragged around a parking lot.” What an experience.… More…

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Exercises for “Split-Guitar” to assist in developing quarter-note bass lines with eighth-note melodies.… More…

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A continuation of my exploration of “extended couplets” where a bass/melody couplet is extended by an additional melody note (two 8ths per quarter note bass), this snippet begins with a harmonic trick… More…

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In Louisiana, hearing “roll-along” piano is as common as eating a po’ boy. With Hopscotch, I tried to capture a little of the on-beat roll-along combined with occasional off-sounding chromatics that act… More…

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This “deconstruction” of Vince’s classic theme has been looming around my mind and over my spirit for weeks.… More…

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A simple exercise I composed to explore the concept and sound of playing a melody with bass accompaniment. … More…

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It is difficult to describe the feeling of being inside the sound emanating from my Bose L1 system. (https://www.boseprofessional.com/en_us/products/portable/l1.html)… More…

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This began with a simple bass and melody idea that flowed to its logical conclusion. The split guitar concept is beginning to feel a bit more “normal” to me. What a wonderful axe the Jamstik Studio MIDI… More…

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An update of one of my earliest arrangements, the Fats Waller classic “Ain’t Misbehavin’”. This is a rendered version that I play along with for practice using my Jamstik Studio MIDI Guitar with strings… More…

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Using elements from the “Split Guitar” · G minor 6th posting, here’s a concept for a shuffle groove, accompanied by a basic GarageBand drum track. Cheers! — SAL More…

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A phrase for describing my approach to MIDI is “Split Guitar” meaning the instrument is sub-divided into string sets with roles: the bottom two strings are used for the Bass Role and the top four strings… More…

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(Just a quick version of my previously posted arrangement of this great Frank Loesser tune) … More…

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A solo over the chord changes of “(Our) Love is Here to Stay” by George Gershwin, using a Jamstik Studio MIDI Guitar and Apple MainStage software mapped to a Steinway Grand piano on the top-4 strings and… More…

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©2023 Nyhthawk Productions LLC. All rights reserved.… More…

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Three-part arrangement for MIDI guitar ©2023 Sal Soghoian, Nyhthawk Productions. All rights reserved.… More…

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Three-part arrangement for MIDI guitar ©2023 Sal Soghoian, Nyhthawk Productions. All rights reserved.… More…

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Three-part arrangement for MIDI guitar ©2023 Sal Soghoian, Nyhthawk Productions. All rights reserved.… More…

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Three-part arrangement for MIDI guitar ©2023 Sal Soghoian, Nyhthawk Productions.. All rights reserved.… More…