Gypsy jazz upright bass

An expert shows you how to play in the style

In this video course, Arnoud shows you how to play upright bass in the style of gypsy jazz — the acoustic swing music of Django Reinhardt.

Gypsy jazz is different from straightahead jazz, because the rhythm is provided by a rhythm guitar instead of drums. This calls for a different feel in the bass playing. Here, Arnoud dives into details on certain things you should and shouldn’t do when you’re trying to get a good sound in a gypsy-jazz band.

The course is divided into three parts. First, for those of you who are coming from electric bass, Arnoud covers basic upright bass techniques. He talks about scales and some exercises to build strength and tone. Then he covers subtleties of bass playing that are particular to gypsy jazz — how to sound “in the style.”

Finally, the bulk of the course focuses on playing real bass lines on standard tunes in the repertoire. The goal there is to give you plenty of specific bass lines to practice, and also to give you an idea of how Arnoud builds bass lines in general.

The intended audience is beginner to intermediate upright bass players, or advanced players who have never played gypsy jazz. Perhaps you’ve played bass for a while but are new to the style, or perhaps you’re already playing gypsy jazz but want to get tips from somebody who’s been doing it for a long time.

Like everything on Soundslice, this course is fully transcribed and has interactive notation synced with the video. Everything is notated in standard notation and tab.

Enjoy the course!



New here? Read our FAQ to learn how it works and why it’s the best.

Total time: 55 minutes across 34 parts

· Introduction
· Beginner position tips
· Tips for people coming from electric bass
· Right-hand exercise
· Position exercise #1
· Position exercise #2
· Scale exercises
· How to practice with a metronome
· Playing with gypsy jazz guitarists
· Keeping it simple
· Tips on volume
· Different approaches to the “two” feel
· Turnaround example with different feels
· Tips on walking bass lines
· Repertoire intro
· “I Can’t Give You Anything But Love” (two feel 1)
· “I Can’t Give You Anything But Love” (two feel 2)
· Christophe changes
· “I Can’t Give You Anything But Love” (walking bass)
· Major blues performance
· Minor blues performance
· Rhythm changes performance (two feel 1)
· Rhythm changes performance (two feel 2)
· Rhythm changes performance (walking bass)
· “Joseph Joseph” performance (two feel 1)
· “Joseph Joseph” performance (two feel 2)
· “Joseph Joseph” performance (walking bass)
· Bossa technique
· Bossa (“Bossa Dorado” performance)
· Bolero (“Troublant Bolero”)
· Ballad (“Danse Norvegienne”)
· “Minor Swing” bass break
· “Minor Swing” performance
· Conclusion

About Arnoud van den Berg

Arnoud van den Berg is an experienced bass player in the international gypsy-jazz scene. He’s been a member of the Robin Nolan Trio since 2007 and accompanied the great Jimmy Rosenberg for several years. He also tours and records with the Hot Club d'Europe (with Paulus Schäfer and Olli Soikkeli).

Originally inspired by Paul McCartney, Arnoud started with blues and rock on electric bass before switching to the upright. He began playing gypsy jazz around the turn of the century and has played with many of the modern Dutch greats. He lives in Amsterdam.

About Soundslice

Soundslice is the ultimate learning and practice environment for music.

Our site gives you sheet music (and tablature) that’s synced with real audio/video recordings. That means you’ll be listening to real performances as you work through material — giving you insight into the human elements of music that couldn’t possibly be notated.

Use our simple-yet-powerful tools to explore music deeply. Slow down audio/video without changing pitch; loop sections simply by dragging across notation. It’s seamless and beautiful.

When you buy, you get instant access. Everything works in your web browser, with nothing to download or install. Works on tablets and smartphones, too.

Best of all, a majority of the proceeds goes directly to the instructor, not to a faceless corporation. Thanks for supporting musicians!