The CORE Method - Module: Superimposing Scale Forms/Playing in Multiple Tonal Centers
Many songs, especially Jazz tunes have multiple tonal centers or keys. The ability to create a bass line or a solo that sounds and feels seamless rather than compartmentalized into separate and distinct keys is a goal for all musicians. In this Module, Superimposing Scale Forms/Playing in Multiple Tonal Centers, we will investigate the seamless transition from one tonal center to another by superimposing two or more Scale Forms. We will investigate the strength in Common Tones and the uniqueness and individuality that those non-common tones provide.
Many songs, especially Jazz tunes have multiple tonal centers or keys. The ability to create a bass line or a solo that sounds and feels seamless rather than compartmentalized into separate and distinct keys is a goal for all musicians. In this Module, Superimposing Scale Forms/Playing in Multiple Tonal Centers, we will investigate the seamless transition from one tonal center to another by superimposing two or more Scale Forms. We will investigate the strength in Common Tones and the uniqueness and individuality that those non-common tones provide.
Full course
| The CORE Method Playing in Multiple Tonal Centers - Intro |
| The CORE Method Playing in Multiple Tonal Centers - G to C |
| The CORE Method Playing in Multiple Tonal Centers - Unique Tones |
| The CORE Method Playing in Multiple Tonal Centers - Footprints |
| The CORE Method Playing in Multiple Tonal Centers - Nostalgia |
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