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Natural major scales in fifth position
Stasys Daugirdas
Preview course

Natural major scales in fifth position

Natural major scales in fifth position
Modern jazz · Technique
Preview course
$25 $20 On sale

Foreword

In this book, I share my experience and knowledge. This is the second edition, supplemented with new themes on composition, melody, improvisation, and arrangement. In these two volumes, I tried to give a more detailed look at the topics I touched on in my first work, 'The Modern Guitar Premiere' in 2004. Most of the chapters are rewritten, others are complementary to music theory. In addition to theory, you will find many useful exercises, notes and tips here. Volume 1 covers the most important information for a contemporary musician from elementary music theory to blues. This methodology is based on a thorough and detailed one-sample analysis, rather than an attempt to cover and understand many examples. In the book, theory and practical material are progressively introduced, starting with simple examples and moving slowly farther into the wood, so the book can be used as a pedagogical work, teaching methodology. All subjects are checked by time and practical work with students. The material in the II volume is intended for more advanced musicians - from various musical figurations, the Bebop, etc. that is concerning progressive jazz theories for quartal harmony. The second volume is intended for more advanced musicians - starting with different musical figurations, Bebop and so on. i.e., touching on the progressive theory of jazz and quartal harmony.

Foreword

In this book, I share my experience and knowledge. This is the second edition, supplemented with new themes on composition, melody, improvisation, and arrangement. In these two volumes, I tried to give a more detailed look at the topics I touched on in my first work, 'The Modern Guitar Premiere' in 2004. Most of the chapters are rewritten, others are complementary to music theory. In addition to theory, you will find many useful exercises, notes and tips here. Volume 1 covers the most important information for a contemporary musician from elementary music theory to blues. This methodology is based on a thorough and detailed one-sample analysis, rather than an attempt to cover and understand many examples. In the book, theory and practical material are progressively introduced, starting with simple examples and moving slowly farther into the wood, so the book can be used as a pedagogical work, teaching methodology. All subjects are checked by time and practical work with students. The material in the II volume is intended for more advanced musicians - from various musical figurations, the Bebop, etc. that is concerning progressive jazz theories for quartal harmony. The second volume is intended for more advanced musicians - starting with different musical figurations, Bebop and so on. i.e., touching on the progressive theory of jazz and quartal harmony.

Full course

Full course is 149 minutes across 88 parts
"Mastering Contemporary Guitar" (Music theory, exercises, remarks and advises), Vol I
Natural major scales in fifth position.
Feeling the scale with "four fingers into the string"
Intervals
Building of chords
Triad
Triad (continue)
Laisvės pavėsy
Enharmonic of triad with suspended fourth (1 4 5) and triad with suspended second (1 2 5)
Open fifth (1 5) or “Power Chord”
Triad with an added ninth
Harmonic Minor Scale in fifth position
The method for naming chords
The four types of triads
The four types of triads (continue)
The four types of triads (continue 2)
Double and triple roll, multiple syncopation
Double and triple roll, multiple syncopation (continue)
Cross-rhythm
Cross-rhythm (continue)
Cross-rhythm (continue 2)
Cross-rhythm (continue 3)
Harmonic Major Scale in the fifth position
Harmonic Major Scale in the fifth position (continue)
Harmonic Major Scale in the fifth position (continue 2)
Four types of triads in open position
Four types of triads in open position (continue)
Triad inversions in open position
Gėlių vaikai
Seventh chord
Seventh chord (continue)
Five types of seventh chords in open position
Dropping down the voices of the seventh chord — "Drop Voicings"
Exercise for inversions of the seventh chord — “Shifting”
Jazz Minor Scale in the fifth position
Jazz Minor Scale in the fifth position (continue)
The chord progressions
The chord progressions (continue)
Theme By John Mehegan
The chord progressions (continue 2)
Theme By John Mehegan "working sketch"
Applying Axis 3 and Axis 7 chords in progressions
Applying Axis 3 and Axis 7 chords in progressions (continue)
Additional chord progressions
Trigarsių poros ( Triad Pairs)_01
Trigarsių poros ( Triad Pairs)_02
Trigarsių poros (Triad Pairs)_03
Trigarsių poros (Triad Pairs)_04
Trigarsių poros (Triad Pairs)_05
Trigarsių poros (Triad Pairs)_06
Trigarsių poros (Triad Pairs)_07
Trigarsių poros (Triad Pairs)_08
Trigarsių poros (Triad Pairs)_09
Trigarsių poros (Triad Pairs)_10
Trigarsių poros (Triad Pairs)_11
Trigarsių poros (Triad Pairs)_12
Trigarsių poros (Triad Pairs)_13
Trigarsių poros (Triad Pairs)_14
Trigarsių poros (Triad Pairs)_15
Trigarsių poros (Triad Pairs)_16
Trigarsių poros (Triad Pairs)_17
Trigarsių poros (Triad Pairs)_18
Trigarsių poros (Triad Pairs)_19
Trigarsių poros (Triad Pairs)_20
Trigarsių poros (Triad Pairs)_21
Triad Pairs (Melodic exposition)
Symmetry
Bolero
Chromatic scale (linear exposition)
Chromatic scale (target, aiming)
Chromatic scale (in series)
Chromatic scale (by tritons)
Pentatonic
Major pentatonic scales
Minor pentatonic scales
Suspension, minor sixth chord, major sixth chord and the altered dominant seventh chord.
Sus4, m+6, M+6 and altered dominant seventh chord (continue)
Sus4, m+6, M+6 and altered dominant seventh chord (continue 2)
Fools Rush In
Applying inversion of chords and 7/3 Axis in the accompaniment
No Moon At All (exercises)
The Twelve-bar Blues
The Twelve-bar Blues (exercises)
32-bar Standard
32-bar Standard (exercises)
Blues Scales
Blues scales in V position (using the target technique)
Bliuzo gama (bIII, bV, bVII) ir (bIII, bVII), 12 tonacijų, V pozicijoje. Blues Scale (bIII, bV, bVII) and (bIII, bVII), in 12 keys, V position.
C Blues

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