We’ve made some big improvements to the way sheet music is displayed on Soundslice. Music across our site should be easier to read and use space more efficiently.

Our first “Featured transcriber” interview with a pianist.

Here’s a powerful new feature for those of you creating slices: a way for you to tell Soundslice that a specific bar in your slice starts a new musical idea.

Here’s a roundup of some small improvements we’ve made recently.

Quick licks from a Norwegian blues guitar phenom.

We’ve improved the way slides are displayed, and we’ve added a new type of slide in our editor.

We’ve added a handy way to browse all the slices people are posting to their Soundslice channels: You can now browse by genre.

A discussion with one of the Soundslice team’s favorite transcribers.

We’ve simplified the way multiple voices work in our notation editor.

Three quick passages from Anomalie’s newest sheet music release.

Short transcriptions from the three finalists.

You can finally add and remove hairpins — aka crescendo or decrescendo markings — in the Soundslice notation editor.

Three quick licks from Chris Payton.

Over the past month, we’ve rolled out several improvements to how our music looks — plus some new functionality in our notation editor. Here’s an overview.

The first in our new interview series with Soundslice users: Matt Sears.

We’re announcing a bunch of new features and improvements today.

Here’s an improvement for those of you creating Soundslice courses. We’ve changed file attachments so that they’re attached to courses instead of slices.

Today we’ve added the ability to reply to specific comments on slices.

Today we’ve launched a new feature that better communicates the presence of audio before or after a slice’s notation.

Lots of features and improvements to announce today!

Today we’ve removed the “track controls” from our player.

Here are some improvements we’ve made recently.

We’ve just launched a gifting feature in the Soundslice store. This means you can buy a course for somebody else, quickly and easily.

For those of you who embed Soundslice in your own website: we’ve made it faster to access embedding information for a slice.

We’ve redesigned our syncpoint editor — the tool that lets you sync your music notation with real recordings.

We’re excited to announce we’ve redesigned our player!

Here’s a nice new way of formatting text within your slices.

Here’s something that’s super geeky but many Soundslice users will appreciate: we’ve greatly improved our sheet-music drawing engine to do a much better job of positioning things.

We’ve just launched a new feature in our notation editor: you can copy notation across slices.

We’ve massively improved the way you add slices to courses.